MOST READ STORIES
ON ADAGE.COM
OK, You’re Underwhelmed,
but Here’s Why iPhone 4S Is a
Big Deal for Marketers
NBC Shuts Down
‘The Playboy Club’
Ad Campaigns Are Dead
Who Needs Netflix? Paramount
Streams Latest ‘Transformers’
Directly to Consumers
RANCE CRAIN Editorinchief
DAVID S. KLEIN Publishing/editorialdirector
ALLISON P. ARDEN Vicepresident,publisher
JACKIE GHEDINEAssociatepublisher
rcrain@crain.com
dklein@crain.com
aarden@adage.com
jghedine@adage.com
Jack Connors, on pitching CEOs,
making friends and acting like a
trapper (rather than a skinner)
aklaassen@adage.com 212-210-0243
jpollack@adage.com 212-210-0458
kwheaton@adage.com 212-210-0761
sdougherty@adage.com 212-210-0783
ageorgiadis@adage.com 312-649-5294
Willie Sutton robbed banks because
that’s where the money was. Jack
Connors pitched CEOs because that’s
where the decisions were made—and
CEOs lasted longer than CMOs and ad
directors.
That, in a nutshell, is Jack’s business
strategy, and it helped him build Hill
Holliday Connors Cosmopulos into the
most successful agency in Boston and all
of New England. Jack was inducted into
the Advertising Hall of Fame this year,
and I took the occasion to chat with him
about his career.
If he weren’t such a consummate ad-agency guy, Jack would have made a
great Boston pol. He’s funny, candid, self-deprecating—just the right combination
to roll up the votes. He told me he’d
thought about throwing his hat in the
ring over the years, “but I think that we
ought to leave politics to the pros, and I
like the money in the private sector, to be
honest with you,” he laughed.
Jack admits he offended his share of
ad directors. “But I think the proof is in
the pudding. We have a very impressive
record at Hill Holliday of retaining clients,
and I think it’s because we built those
relationships with the top people, and it
wasn’t just to do their advertising. That
was obvious. But it was really to enhance
their reputation. To make the CEO stock
more important. . . . If you could make the
CEO look better, then you can go and ask
him for a raise once in a while. And you
can improve the margins.”
In the early days of his agency, Jack
said “the only people who would hire us
were the people who didn’t know better.”
One of his agency’s techniques was to
handle charity work for free, “and we
really didn’t care, to be painfully honest
with you, what they intended to cure. We
wanted to know who was on their board.
. . . Because the chairman of the bank, the
chairman of the insurance company, the
chairman of the mutual fund of those
organizations were on the board. And
after a couple of years of doing free work
for them, they’d go back and say, ‘We’re
getting great work from this Hill Holliday.
Why can’t we have some of that here at
the company?’” The agency worked for
Liberty Mutual, Bank of America and a
number of mutual funds over the years.
“So it worked,” Jack told me.
In the very early days of his career,
when he was working at BBDO as a
account guy on the regional Dodge
business, he was doing such a good job
that he was summoned to Detroit. They
told him he was being promoted to VP
and moving to Detroit. He quit the next
day.
In 1998 Interpublic bought Hill
Holliday and Interpublic CEO Phil Geier
tried to get Jack to come to New York. He
turned him down, just as he turned BBDO
bgarfield@adage.com 301-340-2804
jneff@adage.com 513- 732-9001
sdumenco@adage.com
mattcreamer@gmail.com
ARTOFENDURANCE
One of the founding partners of Hill Holliday
Connors Cosmopulos, Jack Conners was
inducted into the Advertising Hall of Fame.
down. “I’m an entrepreneur. I’m not sure I
can spell it, but that’s what I am. And I
love Boston. I wanted to be home. And I
had the opportunity to build a big
business in my hometown. . . . So I
monitored all those public companies,
and I wanted to sell to Interpublic, but I
never wanted to run Interpublic. That
would be too much like herding cats.“
That isn’t a function of size but of
attitude. “You know, it’s like anything
else. There are trappers and there are
skinners. To be a trapper you’ve got to
put on snow shoes, you’ve got to go out
in the cold, you’ve got to set those traps,
and then you’ve got to go back and see if
there’s any animals in them. And it’s cold
out there.”
Most people sign up to be skinners,
Jack said, because you can stay warm
and you don’t have to be tramping about.
But he characterized himself as an “old
fashioned trapper. I love the hunt. And I
think it’s been said on occasion that my
interest peaks once we sign a contract. I
don’t think that’s quite fair, but there’s a
little bit of truth to it.”
His agency’s ability to handle
rejection was one of its keys to success,
Jack said. He likes to say that even
Boston Red Sox great Ted Williams, who
set the batting average record of .406 in
1941, failed six out of 10 times.
“And so the dirty little secret of my
career is that with all the great agencies I
competed with . . . no one ever kept score
of all the losses I had, the pitches I made
and lost, or made a fool of myself, or
wound up in third place or tenth place. . . .
So I’m thinking it’s about getting up to
bat.”
Of his three partners, Jack was the
last to leave. “I was the survivor, if you
will. Alan Holliday left after six months.
Steve Cosmopulos left in 1978 after 10
years, and my partner Jay Hill died, after
we worked together for 28 years, of
cancer.
HOW TO CONTACT EDITORIAL
Abbey Klaassen Editor
Judann Pollack Executiveeditor
Ken Wheaton Managingeditor
Sheila Dougherty Assistantmanagingeditor
Aris Georgiadis Assistantmanagingeditor
DATACENTER
Bradley JohnsonDir.ofdataanalytics,LosAngeles bjohnson@adage.com 310-860-6420
Kevin Brown Directorofdatamanagement,Chicago kbrown@adage.com 312-649-5272
MattCarmichael Dir.ofinformationprojects,Chicago mcarmichael@adage.com 312-649-7846
Keri Lynch Researcheditor,Chicago klynch@adage.com 312-649-5413
Catherine Wolf Researcheditor,Chicago cwolf@adage.com 312-280-3104
AD AGE INSIGHTS
Ann Marie Kerwin Editor akerwin@adage.com 212-210-0183
EDITORS AT LARGE
Bob Garfield Columnist
Jack NeffPersonalproducts/research,Batavia,OH
Simon Dumenco Mediaguy
Matthew Creamer
THE BEAT SHEET
Alexandra Bruell Media,PR,directagencies abruell@adage.com 212-210-0229
Beth Snyder Bulik Consumerelectronics/tech, York,PA bbulik@adage.com 717-848-6950
Ann-Christine Diaz Creativityeditor adiaz@creativity-online.com 212-210-0403
Cotton Delo Digitalmediaandtechnology cdelo@adage.com 212-210-0219
JasonDelRey Digital jdelrey@adage.com 212-210-0493
Emma Hall Editor,London ehall@adage.com 44-794-123-7761
Nat Ives Mediaeditor nives@adage.com 212-210-0146
Michael Learmonth Digitaleditor mlearmonth@adage.com 212-850-0283
Maureen Morrison Agencies,fastfood,Chicago mcmorrison@adage.com 312649-5348
Rupal Parekh Agencyeditor rparekh@adage.com 212-210-0770
Kunur Patel Agencies kpatel@adage.com 212-210-0204
E.J. Schultz Alcoholicbeverages/food,Chicago eschultz@adage.com 312-397-7582
Brian Steinberg TVeditor bsteinberg@adage.com 212-210-0169
Laurel Wentz Globaleditor lwentz@adage.com 212-210-0175
Natalie Zmuda Retail,nonalcoholicbeverages nzmuda@adage.com 212-210-0419
ART
Jesper Goransson Artdirector
Jennifer Chiu Deputyartdirector
Thomas Pardee Editorial/productioncoordinator
WEB
Charlie Moran Webproducer/editor cmoran@adage.com 201-667-2649
Christina Voudouris Webgraphicseditor/producer cvoudouris@adage.com 212-210-0753
COPY
Anna Baskin Copy/People&Playerseditor
Zharmer Hardimon Copyeditor
EVENTS
DavidTeicher Socialmedia&eventcontentmanager dteicher@adage.com 212-210-0108
jgoransson@adage.com 212-210-0474
jchiu@adage.com 212-210-0795
tpardee@adage.com 212-210-0431
abaskin@adage.com 212-850-7613
zhardimon@adage.com 212-210-0131
ADVERTISING, SPONSORSHIP & INSIGHTS SALES
MEDIA
Rob Eisenhardt Sr.director,media
Jason Asch Sr.accountmanager
Ellen Mazen Sr.accountmanager,westcoast
Brent Rupp Sr.accountmanager
Georgia Gardner Accountexecutive
DIGITAL, CREATIVITY & TECHNOLOGY
Jim Whelan Sr.Director,Digital
Alex McGrath Sr.accountexecutive
Becky Gibson Sr.salesexecutive
INSIGHTS
Lisa Scotto Director,strategicpartnerships lscotto@adage.com
SALES MARKETING
Kerri Ross Director,salesmarketing
Emily Chiang Salesmarketingmanager
Danielle DeLuca Sales&marketingassistant
CUSTOM
Karen Egolf Editorialdirector,customprograms kegolf@adage.com
Richard K. Skews Associateeditor,customprograms rskews@adage.com
MARKETING & EVENTS
Angela Carola Sr.Director
Tina Marchisello Director,Conferences
Matt Kinsey Eventsmanager
Hannah Wall , Digitalmarketinganalyst
Candace Hanson Marketing&eventscoordinator
ADVERTISING PRODUCTION
Michael Corsi Pre-press/productiondirector
Kate Nelson Productionmanager
Meilyn A. Castillo Assistanttopublisher
reisenhardt@adage.com 212-210-0139
jasch@adage.com 212-210-0164
emazen@adage.com 310-426-2484
brupp@adage.com 212-850-7614
ggardner@adage.com 212-210-0475
jwhelan@adage.com
amcgrath@adage.com
bgibson@adage.com
212-210-0158
212-210-0456
212-210-0173
212-210-0104
kross@adage.com
echiang@adage.com
ddeluca@adage.com
212-210-0160
212-210-0246
212-210-0171
847-577-9032
312-280-3136
acarola@adage.com 212-210-0407
tmarchisello adage.com 212-210-0235
mattkinsey@adage.com 212-210-0202
hwall@adage.com 212-210-0727
chanson@adage.com 212-210-0159
mcorsi@adage.com
knelson@adage.com
mcastillo@adage.com
212-210-0214
212-210-0230
212-210-0248
ONLINE PRODUCT DEVELOPMENT
Rahmin Pavlovic Generalmanagerofonline
Kevin Meltzer Seniorapplicationssamurai
Garon Benner Interactivedesigner
Paris Bogdanos Videocoordinator
rpavlovic@adage.com 212-210-0166
kmeltzer@adage.com
gfbenner@adage.com 212-210-0708
pbogdanos@adage.com 212-210-0401
You can reach Rance at rcrain@crain.com.
Subscriber services: 1-877-320-1721, fax (212) 210-0465, outside U.S.: 1-313-446-0450,
e-mail: customerservice@adage.com PRINTED IN THE U.S.A.
KEITHE.CRAINChairman RANCECRAINPresident
MARYKAYCRAINTreasurer GLORIASCOBYSeniorVP-grp.publisher
MERRILEEP.CRAINSecretary ROBERTC.ADAMSGrp.VP-tech.,circ.,mfg.
WILLIAMA.MORROWExecVP-operations DAVIDKAMISVP-prod.andmfg.
PAUL DALPIAZ Chiefinformationofficer